Tag: workshop

Worldcon & Work Done

Attending Worldcon 75 in Helsinki made the deadline of my last translation project a real challenge (and I had to switch to translatorbot mode upon my return). But I wouldn’t have had it any other way.

Welcome in HelsinkiHelsinki was quite welcoming, giving out free public transport rides and a warm, fuzzy feeling in between the frequent showers. While it felt a little bit disorganised in the beginning, Worldcon got better by the day at managing its huge crowds of fans.

A workshop about societies in post-apocalyptic fiction taught by dramatist Taj Hayer was a great way to start the con and meet new people. It wasn’t only fascinating to learn about all the different backgrounds people brought up that got them interested in post-apocalyptic settings. We also did a cool group exercise about world and plot building and ended up with a world reminiscent of Mary Rickert and Octavia Butler stories, where only children are able to communicate, and form an anarchist society. I wonder which one of us will end up writing it … Anyway, I really appreciated Taj’s teaching, so if you’ve got the chance to attend one of his classes, go for it!

I could totally relate to the things stated in a panel about writing while multilingual (with Ken Liu, among others), fell in love with the sheer display of knowledge in “The Times that Shaped the Science” (mostly about the birthing age of modern science and how it came to pass), and had the best of times with an epic snark battle-panel between Babylon 5 and Star Trek, shortly before rushing back to the airport (no big spoiler: Babylon 5 won).

But my favourite panel was “True Grit: The Appeal of Grimdark Fantasy”. So much thoughtful input here, especially from Scott Lynch, on a fascinating topic. You can watch it on Youtube, too (with appropriately gloomy lighting).

Posing with Major Ursa

Posing with Major Ursa

Apart from that, there was a small Taos Toolbox meet-up, a visit to a glorious steampunk bar, meeting old and new friends, and discovering cool Finnish artists and a really flourishing sff scene. I didn’t know that so many books are translated into Finnish (and they’re beautifully designed, too).

Oh, and the Hugos were a blast, of course: I loved the fact that many of my favourites won, and they were dominated by women this year! Bam!

Aestivation is serious business!

This blog went into unannounced aestivation and might have slept away a few summer weeks, but me, I was far from lazy.

The Narrows, Zion National Park

The Narrows, Zion National Park

I visited some places that spoke to my storyteller’s heart: I was in the USA for the first time and went to the Southwest and all the canyon National Parks. I have dreamt of seeing them for a long time. I used to imagine all those people leaving Europe and looking for some place new; how they came upon harsh lands and geological wonders that simply didn’t exist over here. And now I did, too.

I came for the sublime landscapes and the vastness, for the stars and the red earth, and I was not disappointed.

I also came for the writing lessons of Taos Toolbox, taught by Walter Jon Williams and Nancy Kress, with guest lectures from George R.R. Martin, Steven Gould and E.M. Tippets, and I wasn’t disappointed either.

I had two incredibly intense weeks of critiquing and being critiqued, with classes focused on some of the problems I always struggle with when plotting or constructing scenes and fleshing out characters. It was all about craft and business, and amidst all this heavy lifting GRRM dashed in upon us in his purple Tesla and told us to be artists.

I felt very welcome even though I was the only ESL writer in the group (although ESL speaker tends to be the real problem for me). The accumulated teaching experience of the Toolboxe’s lecturers really shows, and what you take home is a whole new range of methods and approaches, and precious, precious knowledge. I’ll sure need some time to work through it all and apply it, but I already feel the workshop’s impact in the way I look at stories.

Taos Toolbox 2017I met fabulous new writer friends and didn’t get to know most of them half as well as I’d have liked to, because I was busy writing/critiquing until one or two in the morning nearly every day. We read an insane amount of material during these two weeks, and got tons of advice and guidance.

So I feel I could use a few days off now, but no rest for the wicked. I’ve already dived into the leftovers of my recent translation, and I’m editing a super funny LEGO encyclopaedia for my favourite licensing client.

I can’t wait to write new stories based on what I learned at Taos Toolbox. But first, some rewriting of half-finished stuff is in order. Did anyone mention aestivation? Not for me, obviously.